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An Artist Duo’s Haven of Synthetic Hair
Chie Xu, Hyperallergic, June 10, 2026 -
In Venice, the fourth chapter of the "Doku" saga continues Lu Yang's cosmogony.
Richard Conti, Il Giornale Dell'Arte, June 6, 2026 -
Richard Ibghy & Marilou Lemmens in Medina Triennial 2026
June 6 - September 7, 2026 -
8 Standout Shows at the Venice Biennale 2026
Paul Laster, Art & Object, May 25, 2026
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“In Minor Keys” Hits All the Right Notes
Hrag Vartanian, Hyperallergic -
At the Venice Biennale, Koyo Kouoh’s ‘In Minor Keys’ Looks Deeply at Lush Gardens and a Scarred Earth
Maximiliano Duron, Artnews, May 19, 2026 -
Dan Perjovschi x Comme des Garçons. A Story About A Collaboration
Bucharest Design Festival 2026 -
Espace Louis Vuitton Venezia | Presenting DOKU The Illusion
A solo presentation by Chinese-born artist Lu YangAmeen Kher, Flaunt, May 8, 2026
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Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition
Grace Ebert, Colossal, May 6, 2026 -
DOKU the Illusion: Solo Exhibition by Lu Yang
Espace Louis Vuitton Venezia -
Jane Bustin at CYFEST 17
May 8 - Aug 31 | CREA Cantieri del Conterporaneo Venice -
Identity Theft, Claudia Doring Baez Is Living in Her Subjects' Shoes
Paul Laster, Whitehot Magazine, April 24, 2026
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Richard Ibghy & Marilou Lemmens: An Animated Assembly
Nanaimo Art Gallery | April 11, 2026 – July 12, 2026 -
Tribeca Gallery Night
May 15th, 6-8 PM -
Claudia Doring Baez: Sound and Vision Podcast
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Lucy + Jorge Orta: From Root to Rain
Susana Cabrera, Artishock, April 18, 2026
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Lia & Dan Perjovschi: DRAFT for a Joint Retrospective
ARCUB—Cultural Center of Bucharest Municipality | April 3–July 26, 2026 -
Inaugural Medina Triennial in Western New York Will Include 39 Artists
Artforum, April 13, 2026 -
Michael Rakowitz and the Ghosts of Iraq’s Antiquities
Bailey Trela, Frieze, March 25, 2026 -
Exhibition Walkthrough: Saturday March 14th, 12:00 PM
Lucy + Jorge Orta and Daniel S. Palmer, PhD, chief curator at the SCAD Museum of Art
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mounir fatmi in 8th Chengdu Biennale
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Soft Sculpture, Hard Politics at Frieze Los Angeles
A Women's Thing, March 2, 2026 -
Eames House: Impressions of Light
James Clar at the Eames House | February 28—May 16, 2026 -
Exhibition Review: "Squeak Carnwath: Goddess of All" at Jane Lombard Gallery
Liam Otero, Whitehot Magazine of Contemporary Art, February 26, 2026
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Sawangwongse Yawnghwe at La Biennale di Venezia
In Minor Keys May 9th - November 22th, 2026 -
Squeak Carnwath Paints Her Own Path
This artist rejects the notion that paint as a medium inevitably becomes exhausted, incapable of making something, however broken it may be.John Yau, Hyperallergic, February 20, 2026 -
New Humans: Memories of the Future
LuYang at the New Museum -
One Fine Show: “Michael Rakowitz, Proxies for Poets and Palaces” at the Stavanger Art Museum
Dan Duray, Observer, February 13, 2026
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Migrations & Climat - Comment habiter notre monde?
Lucy + Jorge Orta at Musée national de l'histoire de l'immigration, Paris, France -
Noor Riyadh 2025
James Clar in the 2025 festival -
LuYang in "The Defining Artworks of 2025"
Artnews, December 8, 2025 -
When a Dream Becomes a Painting with Samantha Keely Smith
A Women's Thing, December 5, 2025
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8 Must-See Solo Gallery Shows in December
Paul Laster, Galerie, December 4, 2025 -
Let It Grow: Megan Bogonovich’s Mutant Botanicals Take Root
Lauren Cohen, Cultbytes, November 9, 2025 -
In Surreal Ceramics, Megan Bogonovich Imagines a Fantastical Garden
Kate Mothes, Colossal, November 6, 2025 -
Brooklyn Rail NSE #1282: Aesthetic Confessions
Featuring Jane LombardEriola Pira, The Brooklyn Rail, October 30, 2025
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Artes Mundi 11 Questionnaire: Sawangwongse Yawnghwe
ArtReview, October 29, 2025 -
Comment | A spate of dealer anniversaries offers hope amid art market doomerism
Tim Schneider, The Art Newspaper, October 27, 2025 -
Home, belonging, displacement, community: Artes Mundi exhibitions open across Wales
Florence Hallett, The Art Newspaper, October 24, 2025 -
The House of Pikachu: Art, Anime, and Pop Culture
Teppei Kaneuji at Asia Society Texas
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The Function of Drawing
In Conversation with Dan Perjovschi.Alex Mirutziu, Contemporary Lynx, October 21, 2025 -
Jane Lombard Looks Back at 30 Years of Art and Politics
Aaron Short, Hyperallergic, October 20, 2025 -
Azita Moradkhani awared SMFA Traveling Fellowship
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Dan Perjovschi | Romania – A retrospective 1985-2025
Corneliu Miklosi Public Transport Museum
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The Eight Best Booths at Frieze London 2025
Farah Abdessamad, Observer, October 17, 2025 -
Lu Yang’s Virtual Avatar Is Endlessly Reborn
Qingyuan Deng, Frieze, October 14, 2025 -
The Video Game of Life
Eana Kim, Hyperallergic, October 14, 2025 -
A.I. Meets Ancient Philosophy
Martha Schwendener, The New York Times, October 9, 2025
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At the Acropolis, Michael Rakowitz Makes a Bold Statement on the Origins of Civilization
Emily Watlington, Art in America, October 3, 2025 -
A Time Between Ashes and Roses
Michael Rakowitz in Aichi Triennale 2025 -
Harper's Art Desk
Carlos Garaicoa in Harper's Magazine -
Homo Mondialis
Lucy + Jorge Orta in 2025 BRITISH TEXTILE BIENNIAL
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Best regards
Lee Mingwei at Moderna Museet Malmö, Sweden -
Proxies for Poets and Palaces
Michael Rakowitz at Stavanger Art Museum -
The Great Adventure of Material World
Lu Yang at the Museum of the Moving Image -
DOKU! DOKU! DOKU!: samsara.exe
LuYang at Amant
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Armory Week NYC rewind: bird shit, great art and humble pie
Osman Can-Yerebakan, Plaster, September 9, 2025 -
A Futurist “Table Top” Exhibition Questions How and Why We Eat the Way We Do
Jenna Adrian-Diaz, Surface, August 29, 2025 -
Teppei Kaneuji
Garrin Faturrahman, Whiteboard Journal, August 14, 2025 -
Squeak Carnwath: Life in Layers of Paint
Megan D Robinson, Art & Object, July 29, 2025
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'New life:' Tucson Museum of Art exhibit portrays Borderlands experiences
Mia Kortright, The Tuscon Sentinel, July 21, 2025 -
Site-Specific Textiles by Rachel B. Hayes Radiate Within Vast Landscapes and Sunlit Interiors
Kate Mothes, Colossal, July 7, 2025 -
Lee Kit’s Idea of ‘Porn’
Declan Long, ArtReview, July 1, 2025 -
Dan Perjovschi - Comme Des Garcons 2026
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Elodie Blanchard Revitalizes Fabric Scraps into Vivid Patchworks of Trees, Bouquets, and Goddesses
Grace Ebert, Colossal, June 30, 2025 -
DESTE’s Summer Convergence Offers the Art World a Rare Pause Between Market Frenzies
Elisa Carollo, Observer, June 26, 2025 -
U.S. Boutique Fair Arrival an ‘Antidote to the Big Box Art Fair’
Elaine YJ Zheng, Ocula, June 16, 2025 -
The Hottest New Art Fair This Summer Is in the Berkshires
Osman Can Yerebakan, Artsy, June 10, 2025
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The Lubi Art Project by Silverlens Gallery Features Art Crafted with the Island
James Clar in Vogue PhilippinesTrickie Lopa, Vogue, June 10, 2025 -
What Lies Beneath: Interview with Jane Bustin
Kate Lawson, Shadowplay Magazine, June 2, 2025 -
‘I feel at home here’: Michael Rakowitz’s Acropolis Museum exhibition locates the lines between stories of lost heritage
Hadani Ditmars, The Art Newspaper, May 27, 2025 -
Dan Perjovschi's newly commissioned cover for ArtReview
ArtReview, May 16, 2025
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Highlights from New York Art Fair Week
Critic's Chronicle -
Works to Remember From Independent’s Elegant 2025 Edition
Ben Davis, Artnet, May 9, 2025 -
15 Outstanding Artworks from the May 2025 New York Art Fairs
Maxwell Rabb, Artsy, May 9, 2025 -
Updating ‘The Futurist Cookbook,’ One Meal at a Time
Allan Wexler in the New York TimesBen Dreith, The New York Times, May 9, 2025
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Teppei Kaneuji in 2025 Setouchi Triennale
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Allspice | Michael Rakowitz & Ancient Cultures
Michael Rakowitz at the Acropolis Museum, Greece -
"Distances"
Massinissa Selmani at Aranya Center, China -
“His gaze has turned into disdain for those who are well-intentioned yet incapable. (A quiet day)"
Lee Kit at Fridericianum, Kassel, Germany
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MACHINE LOVE: Video Game, AI and Contemporary Art
LuYang at the Mori Art Museum in Tokyo, Japan -
T. J. Dedeaux-Norris awarded 2025–26 Rome Prize
April 23, 2025 -
Tribeca Gallery Night
May 9th, 6-8 PM -
Helina Metaferia
An Army of ActivistsNoelani Kirschner, The American Scholar, April 7, 2025
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Don’t miss these five artists at Art Basel Hong Kong
Daven Wu, Wallpaper, April 2, 2025 -
Énormément bizarre: The collection of Jean Chatelus
Mounir Fatmi at the Centre Pompidou in Paris, FranceApril 2, 2025 -
Facial Recognition: A Conversation
Moderated by Barbara Pollack -
Facial Recognition at Jane Lombard Gallery: What Makes us Human, NYC
Bash Ortega, ArteFuse, March 17, 2025
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Michael Rakowitz in "The 100 Best Artworks of the 21st Century”
Editors, ARTnews, March 6, 2025 -
NOW REPRESENTING BRADLEY WOOD
March 6, 2025 -
Speaking Truth to Silence
Michael Rakowitz and Ossian Ward, The Brooklyn Rail, March 5, 2025 -
Allan Wexler: Centering | a Film by Adam Meeks
February 20, 2025
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Exhibits at UMD, Gallery X have much to say
Don Wilkinson, The New Bedford Light, February 16, 2025 -
Dinner at the Light Table
a culinary performance based event featuring Allan Wexler and chef Phoebe TranFebruary 13, 2025 -
NOW REPRESENTING AZITA MORADKHANI
February 13, 2025 -
Allan Wexler Magnifies the Absurdity of the Everyday
Brecht Wright Gander, Hyperallergic, February 10, 2025
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Irrational Physics
Interview with Sam DienstXuezhu Jenny Wang, Impulse Magazine, February 7, 2025 -
Allan Wexler: Probably True
Joyce Beckenstein, The Brooklyn Rail, January 30, 2025 -
A Spellbinding Conversation with Allan Wexler
Sandro De Miera, Arte Realizzata, January 23, 2025 -
James Clar: Powers of Ten
James Clar first U.S. solo museum exhibition at Frederick R. Weisman Museum of Art
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Jane Lombard Gallery Announces JLG Projects: Spotlight Exhibitions Expanding the Gallery Experience
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Glasstire’s Best of 2024
Joseph Wolin, Glasstire, December 16, 2024 -
Must-see Booths at Untitled Art Miami
Arte Realizzata, December 10, 2024 -
Massinissa Selmani | Nothing Fixed, The Complex Folds Of History
Naima Morelli, Flaunt Magazine, December 9, 2024
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Here is the coolest art we have seen during Miami Art Week (and how much it costs)
Jane Woolridge, Miami Herald, December 6, 2024 -
Untitled Art Miami Beach 2024 Review: Serious Fun
Brian P. Kelly, The Wall Street Journal, December 6, 2024 -
7 Favorites from Untitled Art’s Largest Edition Yet
Ann Binlot, Whitewall, December 5, 2024 -
From a ‘Last Supper’ Cowboy Boot to Magically Floating Sculptures—6 Highlights at Untitled Art Miami
Sarah Cascone, Artnet, December 4, 2024
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The 10 Best Booths at Untitled Art, Miami Beach 2024
Maxwell Rabb, Artsy, December 4, 2024 -
Emily Jacir and Michael Rakowitz’s “That thou canst not stir a flower Without troubling of a star”
Cathryn Drake, e-flux Criticism, November 22, 2024 -
Massinissa Selmani: Oursins de la mémoire
Frac Nouvelle-Aquitaine La MÉCA, November 16, 2024 -
The Shape of Power: Stories of Race and American Sculpture
Margarita Cabrera at Smithsonian American Art MuseumSAAM, November 8, 2024
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The art of Sawangwongse Yawnghwe, Burmese artist in exile, is on display in Lucca
Redazione , Finestre sull'Arte, October 19, 2024 -
Tea With Strangers
A New Futurist Cookbook by artist Allan Wexler in collaboration with Michael YarinskyOctober 17, 2024 -
Shows to See in Paris, October 2024
ArtAsiaPacific, October 17, 2024 -
75 Latinx Artists to Know
Maximilíano Durón, Paula Mejía, Mauricio E. Ramírez, Alex Santana, ARTnews, October 15, 2024
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Sawangwongse Yawnghwe Shortlisted for Artes Mundi 11 Prize
September 20, 2024 -
Margarita Cabrera
Stories Woven from Migration and ResistancePlus Magazine, September 19, 2024 -
Margarita Cabrera Makes Collaborative Tapestries of Resilience
Clara Maria Apostolatos, Frieze, September 18, 2024 -
Lu Yang’s many faces of modern-day existentialism
Evan Scott explores the Shanghai-based artist’s fusion of Buddhist philosophy with East Asian pop cultureEvan Scott, Varsity, September 17, 2024
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Drawings
Humorously and with a few ingenious elements, Selmani’s drawings reveal a Barzakh, a divide or a portal “between the real and the artist’s reimagination of it.” by Massinissa SelmaniMyriam Amroun, BOMB, September 16, 2024 -
Unravel: The Power and Politics of Textiles in Art
Margarita Cabrera at Stedelijk MuseumStedelijk Museum Amsterdam, September 14, 2024 -
The Best Booths at Independent 20th Century, From Elegant Modernism to Native American Punk
Daniel Cassady, ARTnews, September 6, 2024 -
The Best of Independent 20th Century: Sol LeWitt, Filippo De Pisis, and More
Andrew Huff, Whitewall, September 6, 2024
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Visual Treats Abound at Independent 20th Century
Rhea Nayyar, Hyperallergic, September 5, 2024 -
In Defense of the Summer Group Show
Annikka Olsen, artnet, August 28, 2024 -
OPEN SPACE #14 LU YANG “DOKU THE FLOW”
Claudia Buizza and Ludovic Delalande, Fondation Louis Vuitton, June 4, 2024 -
"Reimagine: Himalayan Art Now" at the Rubin Museum
NYC-ARTSPBS, May 16, 2024
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6 Standout Presentations at Independent from Gavlak, Maureen Paley, and More
Andrew Huff, Whitewall, May 11, 2024 -
At Its 15th Edition, Independent Celebrates Its Past and Looks to the Future
Maxwell Rabb, Artsy, May 10, 2024 -
The New Social Environment #1063 | Revisiting Studies into Darkness: Open Letter in the Dark
Featuring Michael Rakowitz, Emily Jacir, and Jill H. CasidThe Brooklyn Rail, May 9, 2024 -
Massinissa Selmani: a fault in the mirage
Featuring Selmani and CJ SalapareThe Brooklyn Rail, April 22, 2024
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ANNOUNCING INAUGURAL TALKS, SCREENINGS AND PUBLIC PROGRAMS FOR INDEPENDENT 2024
Independent, April 3, 2024 -
Massinissa Selmani: Outside the frame
Rebecca Chace, Two Coats of Paint, March 30, 2024 -
NOW REPRESENTING ALLAN WEXLER
March 23, 2024 -
Reimagine: Himalayan Art Now
The Rubin, March 15, 2024
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Unravel: The Power and Politics of Textiles in Art
Margarita Cabrera at Barbican Art GalleryBarbican, London, February 13, 2024 -
Five Highlights from Mexico City’s Zona Maco Art Fair
Bryan Rindfuss, Glasstire, February 10, 2024 -
On Dining as Interface
The artist and architect Allan Wexler on what connects us.Michael Yarinsky, MOLD, January 30, 2024 -
Mounir Fatmi
Canvas Staff, Canvas, January 11, 2024
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Sydney G. James
Brainard Carey, Yale University Radio, January 10, 2024 -
LuYang DOKU: Digital Reincarnation at Times Square Midnight Moments
December 1, 2023 -
Michael Rakowitz
Farah Abdessamad, Le Quotidien de l'Art , November 30, 2023 -
Michael Rakowitz: The Monument, The Monster, and The Maquette
Clara Maria Apostolatos, The Brooklyn Rail, October 6, 2023
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Michael Rakowitz’s “The Monument, the Monster, and the Maquette”
Rachel Valinsky, e-flux Criticism, October 5, 2023 -
The New Social Environment #911 | Michael Rakowitz: The Monument, The Monster, and The Maquette
Featuring Rakowitz and Ann C. Collins, with Emily Jungmin YoonAnn C. Collins, The Brooklyn Rail, October 3, 2023 -
Handwritten Historiographies: A Review of Michael Rakowitz at Jane Lombard Gallery, New York
Mána Taylor, New City Art, October 3, 2023 -
Michael Rakowitz: The Monument, The Monster, and The Maquette
Joyce Beckenstein, The Brooklyn Rail, October 1, 2023
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What I’m Looking at: Michael Rakowitz Makes a Meta-Monument, the Debate Over ‘Art Without Men,’ and Other Things at the Edge of Art
Ben Davis, artnet, September 22, 2023 -
On View Now: Four Shows in Tribeca on Reimagined Figuration
Farah Abdessamad, Observer, September 18, 2023 -
15 Art Shows to See in New York This September
Hakim Bishara, Valentina Di Liscia, Hrag Vartanian, Maya Pontone and Lakshmi Rivera Amin, Hyperallergic, September 13, 2023 -
INDEPENDENT 20TH CENTURY MADE MODERN ART CONTEMPORARY AGAIN
Vittoria Benzine , FAD Magazine, September 12, 2023
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Finding humour in New York's Independent 20th Century fair
Elena Goukassian, The Art Newspaper, September 8, 2023 -
At Independent 20th Century, a Rewarding Roster of Self-Taught Artists Share the Spotlight With a Conceptual Coffee Klatch
Annie Armstrong, artnet, September 7, 2023 -
Guide to Armory Week 2023
the PR Net, September 6, 2023 -
With Independent 20th Century, Elizabeth Dee Makes it About Historical Reconsideration
KATY DONOGHUE, Whitewall, September 6, 2023
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Prix Marcel Duchamp 2023: Massinissa Selmani
Séverine Pierron, Art Basel, August 28, 2023 -
Can Art Transform How We Experience Public Space?
Tom Whyman, Art Review, August 25, 2023 -
PERMANENT PUBLIC ART INSTALLATION | RICHARD IBGHY & MARILOU LEMMENS
July 28, 2023 -
My Majorca: artist Mounir Fatmi
Art Basel, July 20, 2023
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Talk Back Chapter One: Estate
T. J. Dedeaux-Norris at Charles Allis Art MuseumCharles Allis Art Museum, July 20, 2023 -
CHANEL CULTURE FUND | LUYANG
July 18, 2023 -
MOT Collection: Membrane of the Time
Teppei Kaneuji at Museum of Contemporary Art TokyoMuseum of Contemporary Art Tokyo, July 15, 2023 -
Virtuoso visions of war
Jackie Wullschläger, Financial Times, July 14, 2023
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Desert Rider: Dreaming in Motion
Margarita Cabrera at Denver Art MuseumDenver Art Museum, July 9, 2023 -
Leeds 2023: Year of Culture
Studio Orta at Harewood HouseHarewood House, July 8, 2023 -
A soft place to land
Margarita Cabrera at Museum of Contemporary Art ClevelandMOCA Cleveland, July 7, 2023 -
What to See in N.Y.C. Galleries in July
Dawn Chan, The New York Times, July 5, 2023
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Collection Highlights
Teppei Kaneuji at Hiroshima MoCAHiroshima MoCA, July 1, 2023 -
The Cuteness Factor
Teppei Kaneuji at the Ludwig Museum, Cologne, GermanyLudwig Museum, June 24, 2023 -
In Other Words
Squeak Carnwath on view at the Kansas City Public LibraryKansas City Public Library, June 24, 2023 -
Inhospitality
Richard Ibghy & Marilou Lemmens at Centre d’Art KamouraskaCentre d’Art Kamouraska, June 17, 2023
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IN CONVERSATION│AZITA MORADKHANI AND JOE WOLIN
June 16, 2023 -
Looking Anew and Beyond: Contemporary Romanian Art from the Collection of the Arthur Taubman Trust
Dan Perjovschi at Taubman Museum of ArtTaubman Museum of Art, June 16, 2023 -
YUKO MOHRI TO REPRESENT JAPAN AT VENICE BIENNALE
News Desk, Artforum, June 13, 2023 -
agriCULTURE: Art Inspired by the Land
Margarita Cabrera at Ollin FarmsLongmont Museum, June 10, 2023
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Massinissa Selmani
In collaboration with Drawing Room, LondonRoger Malbert, Burlington Contemporary, June 7, 2023 -
between borders migration, power and boundless imagination
Sawangwongse Yawnghwe at Arnhem MuseumArnhem Museum, June 3, 2023 -
The Colour of Words: Part III
Jane Bustin solo at Daugavpils Mark Rothko Art Centre in LatviaDaugavpils Mark Rothko Art Centre, June 1, 2023 -
O Quilombismo: Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies.
Sawangwongse Yawnghwe at HKW, BerlinHKW, June 1, 2023
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IN STUDIO: HOWARD SMITH
The artist on the meaning of time and the gift of teachingMartin Lerma, Platform Art, June 1, 2023 -
THE LATINX ARTIST FELLOWSHIP | MARGARITA CABRERA
May 31, 2023 -
Baltic Centre for Contemporary Art
A new site-specific installation by Michael Rakowitz on display at the Baltic Centre for Contemporary ArtBaltic Centre for Contemporary Art, May 26, 2023 -
One Foot in the Sky
Jane Bustin at Contemporary Sculpture Fulmer, EnglandContemporary Sculpture Fulmer, May 13, 2023
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Game Society
Luyang at the National Museum of Contemporary Art Korea in SeoulNational Museum of Contemporary Art Korea, May 12, 2023 -
Buddha10 Reloaded
LEE Mingwei at the Museo d’Arte Orientale in Turin, ItalyMuseo d’Arte Orientale, May 6, 2023 -
Richard Ibghy and Marilou Lemmens
Ray Cronin, Sculpture Magazine, May 5, 2023 -
Tradition Interrupted
Mounir Fatmi at Museum of Texas Tech UniversityMuseum of Texas Tech University, April 29, 2023
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EPISODE 39: KRISTIN MCIVER TUESDAY, APRIL 25TH, 2023
Kristin McIver interviewed by John Halpern and Emily Harris of the Institute for Cultural ActivismInstitute for Cultural Activism International, The Tuning Fork, April 25, 2023 -
James Clar: By Force of Nature
Featuring Clar and Barbara Pollack, with Farnaz FatemiBarbara Pollack, The Brooklyn Rail, April 18, 2023 -
Art in Our Time: NTMoFA Collection Highlights
LEE Mingwei at the NATIONAL TAIWAN MUSEUM OF FINE ARTSNTMoFA, April 15, 2023 -
How the design of milk packaging has shaped views on health
From the glass milk bottle to packaging for human milk, the Wellcome Collection’s latest exhibition explores the materials and messaging of milk distribution.Sophie Tolhurst , Design Week, April 12, 2023
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Milk
Lucy + Jorge Orta at the Wellcome Collection in LondonWellcome Collection, March 30, 2023 -
Workwear
Lucy + Jorge Orta at Nieuwe InstituutNieuwe Instituut, March 25, 2023 -
DOKU Hong Kong Experience Centre
LuYang at Oi! Street Art SpaceOi! Street Art Space, March 18, 2023 -
Artists in a Time of War
Michael Rakowitz at Castello Di Rivoli in Turin, ItalyCastello Di Rivoli, March 15, 2023
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Opposite the Sun Is Where the Blue Sky Lies: Works from the Hara Museum and the Hara Rokuro Collections
Lee Kit at the Hara Museum TokyoHara Museum Tokyo, March 4, 2023 -
The Skin That These Artifacts Wear: Watch Artist Michael Rakowitz Use Papier Mâché to Recreate Objects Looted from Iraqi Museums
As part of a collaboration with Art21, hear news-making artists describe their inspirations in their own words.Caroline Goldstein, Artnet News, February 10, 2023 -
EXHIBITION REVIEW: CMTK | DOUBLE TROUBLE
Luxi He, Musée, February 8, 2023 -
A Conversation with Sarah Dwyer
Clatter.....THUDSylvia Walker, Contemporary Art Issue, February 2, 2023
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JANE LOMBARD GALLERY NOW REPRESENTING MARGARITA CABRERA
January 25, 2023 -
Michael Rakowitz Offers Work in Exchange for British Museum Repatriation of Assyrian Sculpture
News Desk, Artforum, January 23, 2023 -
Artist Michael Rakowitz Calls for British Museum to Return Assyrian Sculpture in Exchange for His Work
Angela Villa, ARTNews, January 20, 2023 -
Prix Marcel Duchamp 2023: ADIAF unveils the names of the four finalists
Massinissa Selmani nominated for the 2023 Marcel Duchamp PrizeFlash Art, January 20, 2023
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LuYang Vibratory Field
LuYang at Kunsthalle BaselKunsthalle Basel, January 20, 2023 -
Margarita Cabrera
Jonathan Rinck, Sculpture Magazine, January 18, 2023 -
The Artists of 2022: Lu Yang
LuYang at Kunsthalle BaselPamela Wong, Art Asia Pacific, January 1, 2023 -
LuYang's "Vibrant Beings"
Art in America, December 31, 2022
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JANE LOMBARD GALLERY NOW REPRESENTING MASSINISSA SELMANI
December 9, 2022 -
Untitled Art Concludes Successful Edition in Miami Beach; Announces Inaugural Premier Prize Winners
Untitled Art, December 5, 2022 -
MARGARITA CABRERA AWARDED THE 21C MUSEUM HOTELS ACQUISITION PRIZE
December 5, 2022 -
Margarita Cabrera in ‘say the dream was real and the wall imaginary’ at Jane Lombard Gallery
Untitled Art. Miami Beach, FLMerrily Kerr, New York Art Tours , November 29, 2022
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Emerging Artists Shine in Miami Beach's ‘Untitled' Art Fair
Untitled Art. Miami Beach, FLMonica Galarza , NBC News, November 29, 2022 -
Michael Rakowitz’s Tender Revival of Assyrian Cultural Heritage
Yalda Bidshahri, ArtReview Asia, November 7, 2022 -
Richard Ibghy & Marilou Lemmens: Alternative Facts of the 21st Century
Maxime Foucquet, CAI, November 7, 2022 -
A Window Suddenly Opens: Contemporary Photography in China
LuYang at the Hirshhorn Museum in Washington, D.C.Hirshhorn Museum, November 4, 2022
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Michael Rakowitz explores identity and history for his latest Dubai show
The Iraqi-American artist brings his 'The invisible enemy should not exist' exhibition to Green Art GalleryMelissa Gronlund, The National News, October 14, 2022 -
Sarah Dwyer
Brainard Carey, Yale University Radio, September 13, 2022 -
Two Critics, 13 Favorite Booths at The Armory Show
Siddartha Mitter, The New York Times, September 10, 2022 -
Ultra Unreal
LuYang at Museum of Contemporary Art AustrailiaMuseum of Contemporary Art Austrailia, August 3, 2022
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‘I Felt the Lightning Right Next to Me’: Artist Lu Yang on How a Harrowing Flight Experience Led to a Breakthrough Digital Artwork
We also spoke with the digital artist about what avatars can and cannot do.Hili Perlson, artnet news, June 9, 2022 -
Lee Mingwei’s Our Labyrinth performance comes to life at Tate Modern
Tate Modern, May 26, 2022 -
In one of UK’s largest art commissioning programmes, 22 artists receive £2.5m to explore the impact of war
Gareth Harris, The Art Newspaper, May 17, 2022 -
“Do We Still Recognize Ourselves?”
In an age when everything is called into doubt, Squeak Carnwath’s concern with seeing carries a deep urgency.John Yau, Hyperallergic, May 5, 2022
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Michael Rakowitz’s The Invisible Enemy Should Not Exist
Tom Snow, MIT Press, April 1, 2022 -
JAMES CLAR PRESENTING "CLOUD SEED" AT THE JULIUS BAER LOUNGE | ART DUBAI 2022
In an age when everything is called into doubt, Squeak Carnwath’s concern with seeing carries a deep urgency.Art Dubai 2022, March 5, 2022 -
Howard Smith: One brushstroke at a time
Sharon Butler, Two Coats of Paint, February 25, 2022 -
Howard Smith’s Accumulative Practice Captured by ‘Marks in Time’
Barbara Macadam, Art & Object, February 24, 2022
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THE MILK OF DREAMS
LuYang at the 2022 Venice BiennaleVenice Biennale, February 3, 2022 -
Lu Yang named Deutsche Bank's "Artist of the Year: 2022”
Deutsche Bank, January 19, 2022 -
Jane Lombard at Melbourne Art Fair
Melbourne Art Fair, January 18, 2022 -
New York: Sawangwongse Yawnghwe
Emily Chun, Art Asia Pacific, November 1, 2021
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TriBeCa Gallery Guide: New York’s Most Vibrant Art Scene
The large-scale arrival of new and veteran dealers has given the neighborhood its first unifying theme in 60 years. Here are three walks with our critics, a springboard to explore.The New York Times, October 30, 2021 -
Taiwan NOW
Lee Mingwei’s Our Labyrinth at Intermediatheque in TokyoIntermediatheque, October 28, 2021 -
Dan Perjovschi included in documenta 15
documenta 15, October 5, 2021 -
T.J. Dedeaux Norris Presents New Exhibit at University Galleries
Matt Cherry, WZND, September 23, 2021
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A Nexus for the Black Community, Tone Memphis is Presenting ‘On The Road: Chocolate Cities,’ Group Exhibition Explores Space, Place, and Belonging
Victoria Valentine, Culture Type, September 16, 2021 -
JANE LOMBARD GALLERY @ OMG ART FAIRE 2021
OMG Art Faire, September 16, 2021 -
Seeking Art That Expands the Possibilities for a Troubled World
Siddhartha Mitter, The New York Times, September 14, 2021 -
Art Fairs Come Blazing Back, Precarious but Defiant
Will Heinrich, The New York Times, September 11, 2021
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In Person Again, The 2021 Armory Show Celebrates Superlatives
In its first edition since the pandemic began, the fair celebrates two firsts: a new venue and season for presentation.Osman Can Yerebakan, CulturedMag, September 11, 2021 -
Critics Picks: Sawangwongse Yawnghwe
Eric Goh, Artforum, September 10, 2021 -
Seeing the Armory Art Fair as a Chance to Reconnect
Seph Rodney, Hyperallergic, September 10, 2021 -
Michael Rakowitz awarded 2021 Pommery Prize
September 10, 2021
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ARTnews in Brief: 2021 Frieze Artist Award Goes to Sung Tieu—and More from September 10, 2021
Tessa Solomon & Angela Villa, ARTnews, September 7, 2021 -
The Armory Show: Can you hear the fault lines breathing? curated by Claudia Schmuckli
Michael Rakowitz at The Armory Show's 2021 Platform sectionThe Armory Show, September 3, 2021 -
Champagne Pommery
Unnamed Project, September 1, 2021 -
Another Garden of Remembrance 另一個紀念花園
John Batten, Artomity Magazine, July 30, 2021
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mounir fatmi - The Age of Consequences
Amalia Di Lanno, Arte Cultura, July 29, 2021 -
SQUEAK CARNWATH NAMED A RECIPIENT OF THE POLLOCK-KRASNER FOUNDATION GRANT!
Pollock-Krasner Foundation, June 30, 2021 -
LEE MINGWEI - MO ART PRIZE WINNER 2021
Lee Mingwei awarded 8th Museum Ostwall MO art prize ′′Follow me Dada and Fluxus′′June 30, 2021 -
Heureux détour par la Fondation Granthaml
Nicolas Mavrikakis, Le Devoir, June 19, 2021
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Lu Yang Imagines Reincarnation in a Virtual World
Barbara Pollack, Ocula Magazine, June 16, 2021 -
20th Serpentine Pavilion By Counterspace Unveiled – Sarah Hardie Wins Inaugural Soho House Art Prize – Madge Gill: Nature in Mind Exhibition Announced
Artylist, June 8, 2021 -
Le parcours fulgurant de Mounir Fatmi mis en lumière en Italie
Siham Jadraoui , Aujourd'hui Le Maroc, June 3, 2021 -
Was verbindet | Ausstellung in der Villa Stuck
Evelyn Vogel, Suddeutsche Zeitung, June 1, 2021
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Querelle entre deux puces pour savoir à qui appartient le chien sur lequel elle vivent
Noemie Fortin, Ciel Variable, June 1, 2021 -
Du territoire au sol vivant : entretien avec Richard Ibghy et Marilou Lemmens
Andre-Louis Pare, Espace art actuel, June 1, 2021 -
Ausstellung "Li - Geschenke und Rituale": Dinge un persönliche Erfahrungen
Die Ausstellung "Li - Geschenke und Rituale" von Lee Mingwei im Museum Villa Stuck.Roberta De Righi, Abendzeitung, May 27, 2021 -
Salvage Value | The rescue missions of Michael Rakowitz
Daniel Trilling, Apollo Magazine, May 23, 2021
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Artists Samson Young, Angela Su and Lee Kit donate works to fundraise for Hong Kong dealer Anthony Tao Xinshu's hospital treatment
The Gallery Exit founder was diagnosed with a brain aneurysm in December—now 43 artists are selling work to pay for his careLisa Movius, The Art Newspaper, May 21, 2021 -
5 Art Gallery Show to See Right Now
Martha Schwendener, The New York Times, May 20, 2021 -
‘Doku: Digital Alaya’ Appears in First NY Gallery Exhibit
Katerina Papathanasiou, Vale Magazine, May 19, 2021 -
Multimedia Artist Lu Yang Creates Art for Our Times
Farah Abdessamad, Observer, May 18, 2021
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Multimedia Artist Lu Yang Innovates at Jane Lombard Gallery
Rina Latuperissa, Telegraf, May 18, 2021 -
mounir fatmi / The Observer Effect
Paula Aguadé, Dxi magazine, May 10, 2021 -
Trois questions à Ibghy & Lemmens
Nicolas Mavrikakis, Le Devoir, May 8, 2021 -
Quant pesa una mala escultura?
Angela Molina, El Pais, May 7, 2021
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KRISTIN MCIVER, exploring big data and the deep state to uncover the invisible
Interview by Agata KikAgata Kit, CLOT Magazine, May 4, 2021 -
War’s Waste | Michael Rakowitz’s Margate sculpture is a monument to the folly of the Iraq conflict - and monuments themselves
Jackie Wullschlager, Financial Times, April 25, 2021 -
Lucy + Jorge Orta: Masking
La Patinoire Royale, April 24, 2021 -
Sagrado video (obsoleto)
La Vanguardia, April 18, 2021
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El paper de l’artista en una societat en crisi
Conxita Oliver, El Temps de les Arts, April 2, 2021 -
The Observer Effect de mounir fatmi
Sara Torres Sifon, Plataforma de Arte Contemporaneo, March 26, 2021 -
When Everything is Burning, Just Keep Dancing: Enter Lu Yang’s ‘Delusional World’
Sarah Freeman, Art Review, March 23, 2021 -
Richard Ibghy & Marilou Lemmens, Fondation Grantham pour l’art et l’environnement, Saint-Edmond-de-Grantham
Sophie Drouin, Esse Art + Opinions, March 1, 2021
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Artists as Pathfinders: Mastering a Candid Relation to the Earth
Benedicte Ramade, Terremoto, March 1, 2021 -
Michael Rakowitz’s Recreations of Art Taken from Iraq
Dan Schindel, Hyperallergic, February 12, 2021 -
T.J. Dedeaux-Norris explores the legacy of an artist’s identity after death
Wiley Reading, News & Citizen , February 5, 2021 -
Jane Lombard Gallery opens its first solo exhibition with new media artist Kristin McIver
Art Daily, February 1, 2021
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Spotlight: Kristin McIver - Impressions
Artforum, February 1, 2021 -
No Mask vs No Musk: artist Dan Perjovschi takes you on a virtual tour of his show in New York
Paula Erinaznu, New East Digital Archive, December 1, 2020 -
Best Dance of 2020
Theaters shut down, but dance didn’t. There was dancing in the streets and dancing on screens. Old treasures spilled out of the vaults.Bill T. Jones & Sara Mearns, The New York Times, December 1, 2020 -
Aftershock: Michael Rakowitz on the US Presidential Election
Michael Rakowitz, Artforum, November 30, 2020
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UCCA Dune Asks Whether Art Can Survive a 'Crisis in Attention'
In the Aranya Gold Coast Community, north of Beijing, an exhibition aims to critically intervene with its spectacular surroundingsAlvin Li, Frieze, November 23, 2020 -
Editors’ Picks: 19 Events for Your Art Calendar This Week, From a Piece of Venice in New York to Mierle Laderman Ukeles in Conversation Online
There's plenty of art to keep you busy this week.Sarah Cascone, Artnet, November 10, 2020 -
Dan Perjovschi: The Nightmare It Was to be Inaugural Exhibition at Jane Lombard Gallery’s New Space in Tribeca
afinelyne, Gotham to Go, November 5, 2020 -
Artist Talk: T.J. Dedeaux-Norris
The Figge Museum, October 28, 2020
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Galleries: Royal Botanic Garden marks its 350th year with a new exhibition
Sarah Urwin Jones, The Herald, October 19, 2020 -
‘T.J. Dedeaux-Norris Presents the Estate of Tameka Jenean Norris,’ through January 31
Reader Staff, River Cities Reader, October 13, 2020 -
Dancing With Rice: A Meditative Pas de Deux at the Met
Gia Kourlas, The New York Times, September 15, 2020 -
Hope for the future
Vogue Arabia, September 7, 2020
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Michael Rakowitz’s Art of Return
Raffi Khatchadourian, The New Yorker, August 17, 2020 -
How artist T.J. Dedeaux-Norris turns exploitation on its head
Natalie Benway, Little Village, August 11, 2020 -
KEEPING FAITH, KEEPING DRAWING : après l’exposition de mounir fatmi, le livre de mounir fatmi
Analix Forever, July 22, 2020 -
Creer pour l’environnement
L’ART VIVANT, AU DIAPASON DE LA CULTURE ENVIRONNEMENTALEPAUL ARDENNE, Courants Verts, July 19, 2020
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The Instant Intimacy of Lee Mingwei's "Sonic Blossom"
Charmaine Li, Garage, July 8, 2020 -
Lee Mingwei: 禮 Li, ‘Gifts and Rituals’, Martin Gropius Bau
Maria Munoz, Neo2 Magazine, June 16, 2020 -
Lee Mingwei
Catherine Hickley, Artsy, June 4, 2020 -
Interview with Lee Mingwei “禮 Li, Gifts, and Rituals” at Gropius Bau, Berlin
Clara Tang, Cobo Social, May 27, 2020
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Intimacy Online and Off
Sherry Paik, Ocula, May 22, 2020 -
Der Künstler der Stunde
Nicola Kuhn, Der Tagesspiegel, May 20, 2020 -
Plexiglass a Symbol of Care
Kate Brown, Artnet News, May 18, 2020 -
A Special Power to Give
Ophelia Lai, Art Asia Pacific, May 12, 2020
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On Tate Modern’s 20th Anniversary
Financial Times, May 11, 2020 -
SQUEAK CARNWATH with Amanda Gluibizzi
Amanda Gluibizzi, Brooklyn Rail , May 5, 2020 -
Sawangwongse Yawnghwe: Painting the Unstable State
Kerstin Winking, ArtAsiaPacific, May 1, 2020 -
Nous amenons l’art sur le registre de l’expérimentation et de la provocation sensuelle.
Point Contemporain, May 1, 2020
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Lee offers the gift of one-to-one Zoom song
Louisa Buck, The Art Newspaper, April 28, 2020 -
MICHAEL RAKOWITZ WINS NASHER PRIZE FOR SCULPTURE
Nasher Prize, April 27, 2020 -
LUCY ORTA FEATURED IN PHAIDON'S "GREAT WOMEN ARTISTS"
Phaidon, April 27, 2020 -
MICHAEL RAKOWITZ AT JAMEEL ARTS CENTRE IN DUBAI
Jameel Arts Centre, April 27, 2020
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Front Burner: Highlights in Contemporary North Carolina Painting
Carmen Neely at North Carolina Museum of ArtNorth Carolina Museum of Art, April 27, 2020 -
Eraser Mountain
Teppei Kaneuji and Toshiki Okada at NYU SKIRBALLNYU SKIRBALL, April 27, 2020 -
Orta Drawing Lab — Laboratoire de Dessin
edited by Blandine Roselle, April 27, 2020 -
Artists in Residence: Lee Mingwei by Adeline Chia
Adeline Chia, ArtReview, April 22, 2020
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Lucy+ Jorge Orta: au secours de la planète
Connaisssance Des Arts, April 1, 2020 -
Dan Perjovschi’s The Time of the Virus featured at MOMA
Oana Vasiliu, Business Review, March 23, 2020 -
Artist Dan Perjovschi chronicles how Covid-19 has changed our lives
Paula Erinaznu, New East Digital Archive, March 23, 2020 -
Jane Lombard Gallery's first solo exhibition with Jane Bustin opens in New York
Art Daily, February 27, 2020
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The Colour of Words
27 Feb — 4 Apr 2020 at the Jane Lombard Gallery in New York, United StatesWSI Mag, February 25, 2020 -
The artist James Clar takes us back to the Ninoy assassination and the detail that changed history
Culture Art One work, to be displayed at this year’s Art Fair, challenges us to look upon violence without violence.Jam Pascual, ABC-CBN, February 20, 2020 -
Tate Modern to show Yayoi Kusama’s Infinity Room
Gareth Harris, The Art Newspaper, February 13, 2020 -
Michael Rakowitz: The invisible enemy should not exist
Amanda Gluibizzi , The Brooklyn Rail, February 1, 2020
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Rakowitz has made it his mission to save these treasures in memory, if not in fact
Howard Halle, Time Out, New York, January 22, 2020 -
Minimalist Art that Speaks for the Birds
Gregory Volk, Hyperallergic, January 18, 2020 -
Environmental Theater Premiere From Japan's Toshiki Okada: ERASER MOUNTAIN At NYU Skirball
A.A. Cristi, Broadway World, January 16, 2020 -
Drawing Soldiers in Burma: Reflections on the War Artists
Edith Mirante, Global City Press, January 1, 2020
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The Most Important Art Exhibitions of the 2010s
Maximiliano Duron and Alex Greenberger, ArtNews, December 17, 2019 -
Le Dessin comme religion
Go Out, December 17, 2019 -
The Most Influential Artists of 2019
Artsy, December 11, 2019 -
'The idea is that art can help': how Art Basel Miami tackled the climate crisis
Nadja Sayej, The Guardian, December 10, 2019
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Sketch connection
Le Chat Perché, December 4, 2019 -
Je marche à l'émotion
Andrea Machalova , Tribune des arts, December 1, 2019 -
Les œuvres cachées de Mounir Fatmi
Jean-Paul Gavard-Perret, Les Blogs, November 26, 2019 -
MOUNIR FATMI – KEEPING FAITH, KEEPING DRAWING
Point Contemporain, November 26, 2019
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Mounir Fatmi, artiste de renommée internationale, dévoile sa première tapisserie au CRECIT
Notélé, November 23, 2019 -
Sawangwongse Yawnghwe Withdraws from Exhibition in Protest of Rohingya Genocide and EU "‘Hypocrisy’ in Myanmar
Artforum, November 13, 2019 -
Mounir Fatmi explore la révolution industrielle à Stockholm
Siham Jadraoui, Aujourd'hui le Maroc, October 31, 2019 -
Jane Bustin’s V – Tea Bowls (and Other Things) in Paris
The more you think about things the stranger they get; and more beautiful.Edward Winters, Trebuchet Magazine, October 31, 2019
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Lyon Biennale 2019: The Art of Dispersal
Tessa Moldan, Ocula, September 27, 2019 -
Between Hospitality and Hostility’: An Interview with Michael Rakowitz
Marisa Mazria Katz, New York Review of Books, July 26, 2019 -
Subverting the Superflat: Teppei Kaneuji’s Plastic Barricade at Jane Lombard Gallery
Patti Jordan, Artfuse, June 14, 2019 -
Les Ready Dead
Henri-François Debailleux, Le Journal des Arts, June 6, 2019
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mounir fatmi le messager
Elisabeth Védrenne, Connaissance des Arts, June 6, 2019 -
Step Inside Teppei Kaneuji's "Plastic Barricade" Exhibition
Keith Estiler, Hypebeast, May 29, 2019 -
Art On Display! Teppei Kaneuji’s “Plastic Barricade” Exhibition
Shane Breen, StupidDope, May 23, 2019 -
Teppei Kaneuji's "Plastic Barricade" Exhibition Examines Mass Consumerism
Charlie Zhang, Hypebeast, May 22, 2019
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Squeak Carnwath
Rachel Churner, Artforum, May 5, 2019 -
SQUEAK CARNWATH RECIPIENT OF THE LEE KRASNER AWARD FOR A LIFETIME OF ARTISTIC ACHIEVEMENT
Pollock-Krasner Foundation , April 18, 2019 -
Pollock-Krasner Foundation Names Winners of $3 M. in Grants
Claire Selvin, ARTnews, April 17, 2019 -
The Disappeared: The Art of James Clar
Michael Wilson, Mana Contemporary, April 10, 2019
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mounir fatmi, The Process
Art Agenda, March 20, 2019 -
A Painter for Our Times
Carnwath’s paintings are true barometers of the world after the 2016 presidential election.John Yau, Hyperallergic, March 2, 2019 -
The Whitney Biennial: 75 Artists Are In, and One Dissenter Steps Out”
Jillian Steinhauer, The New York Times, February 25, 2019 -
Lee Mingwei to complete ‘Guernica in Sand’
Muthi Achadiat Kautsar, The Jakarta Post, January 13, 2019
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Solo Shows Mark Museum MACAN’s Anniversary
Muthi Achadiat Kautsar, The Jakarta Post, November 23, 2018 -
C'est encore la nuit, une installation de Mounir Fatmi
Francis Richard, Le blog de Francis Richard, November 20, 2018 -
This is my Body
Jean-Paul, Le Chat Perché, November 5, 2018 -
mounir fatmi, This is My Body (exposition)
Jean-Paul, lelitteraire.com, October 30, 2018
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Lee Kit in Conversation
Atsuo Yasuda, Ocula, October 19, 2018 -
Richard Ibghy & Marilou Lemmens
Anne Bertrand, Esse Arts + Opinions, October 10, 2018 -
Chemical Compounds: Acceleration and Hyper-production in Richard Ibghy and Marilou Lemmens’ Visions of a Sleepless World
Michael DeRisio, Espace, October 9, 2018 -
The World Never Ends: James Clar
Paul Laster, ArtAsiaPacific, October 8, 2018
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Mirror image
Worcester Art Museum exhibition raises questions of art ownership and valueNancy Sheehan Correspondent, Telegram.com, September 29, 2018 -
Mounir Fatmi - Archaeology of Materials
Blaire Dessent, TL Magazine, September 23, 2018 -
180° Behind Me”: Moroccan artist Mounir Fatmi’s linguistic games – in conversation
Megan Miller, Art Radar, September 22, 2018 -
Lee Kit ‘We Used to Be More Sensitive'
HARA MUSEUM OF CONTEMPORARY ARTYUKARI TANAKA, Japan Times, September 11, 2018
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'Sonic Blossom’ at Portrait Gallery
Jeff Malet, The Georgetowner, August 25, 2018 -
At the ICA’s ‘Mending Project,’ a therapeutic connection forms among volunteers, visitors
The museum’s interactive installation creates intimacy, understanding among strangers who bond over the mending of garments.Leila Ugincius, VCU News, August 10, 2018 -
Smithsonian Second Opinion
Why the Arts Matter, August 2, 2018 -
Mounir Fatmi, Archives expérimentales / Experimental Archives
Blaire Dessent, TL Magazine, August 1, 2018
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An Artist Honors Tamir Rice, One Orange Object at a Time
Jillian Steinhauer, New York Times, July 29, 2018 -
Quand Mounir Fatmi explore les doutes, les peurs et les désirs humains
Siham Jadraou, Aujourd'hui Le Maroc, July 24, 2018 -
MICHAEL RAKOWITZ IN THE FRONT TRIENNIAL
FRONT, July 16, 2018 -
Mounir Fatmi y la historia colonial hispana conquistan el verano del CDAN
Diario del Alto Aragon, June 28, 2018
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Fatmi y el colonialismo espanol, en el verano del CDAN
elPeriodico de Aragon, June 26, 2018 -
Richard Ibghy & Marilou Lemmens
Anne Bertrand, Esse Arts + Opinions, June 16, 2018 -
Solitudes et géométries variables au MAC
Jerome Delgado, Le Devoir, June 16, 2018 -
LUCY ORTA COLLABORATES WITH PRISON INMATES TO COMMEMORATE WOMEN'S SUFFRAGE IN THE UK
June 9, 2018
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Konstnär i spänningsfältet mellan öst och väst
mynewsdesk, June 1, 2018 -
Process: Theatre from the Jungle
Merray Gerges, Canadian Art, May 16, 2018 -
Michael Rakowitz Gathers Immigrant and Military Voices to Tell the Story of Iraq
Samantha Mitchell, Hyperallergic, April 19, 2018 -
Colorful Light Sculptures by James Clar Interpret Technology’s Effects on Our Perceived Reality
Kate Sierzputowski, Colossal, April 18, 2018
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Michael Rakowitz Recreates a Sculpture Destroyed by ISIS for London’s Trafalgar Square
Olivia McEwan, Hyperallergic, April 5, 2018 -
Cogitation
Tarek Elhaik, Cultural Anthropology, April 3, 2018 -
The Ghost of Iraq’s Lost Heritage Comes to Trafalgar Square as Michael Rakowitz Unveils His Fourth Plinth Sculpture
Naomi Rea, Artnet, March 29, 2018 -
Michael Rakowitz: The Invisible Enemy
Evan Moffitt, Frieze, March 29, 2018
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Fourth Plinth Review: My Heart is in My Mouth
Adrian Searle, The Guardian, March 28, 2018 -
London's Fourth Plinth unveiled: Michael Rakowitz’s winged bull sculpture made from date syrup cans
Iraqi-American artist has recreated Assyrian lamassu destroyed by Islamic StateBen Luke, The Art Newspaper, March 28, 2018 -
Sculpture of Winged Bull Destroyed by ISIS Is Recreated for London’s Fourth Plinth
Anna Codrea-Rado, New York Times, March 28, 2018 -
Fourth plinth: how a winged bull made of date syrup cans is defying Isis
Claire Armitstead, The Guardian, March 26, 2018
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A Life in the Day: Michael Rakowitz, the new Fourth Plinth artist
Caroline Scott, The Times, March 25, 2018 -
Dig a hole in Iraq, and either oil or history comes out.
Emily Watkins, Plinth, March 23, 2018 -
Performace
Adrien Chevrot, Jeu de Paume le magazine, March 8, 2018 -
Relishing Spoils: Michael Rakowitz with David Sprecher
The Brooklyn Rail, March 1, 2018
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Concrete Complexity: When Data Visualization Gets Put to the Test of Materiality
Gentiane Belanger, International Studio & Curatorial Program (iscp), March 1, 2018 -
Michael Rakowitz at Museum of Contemporary Art Chicago
Lauren DeLand , Art in America, February 1, 2018 -
Artist Michael Rakowitz Reveals the Iraq War's Many Wounds
Claire Voon, Hyperallergic, February 1, 2018 -
Fourth Plinth Artist Michael Rakowitz on Iraqi art, the British Museum and sculpting
Ben Luke, London Evening Standard, February 1, 2018
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Dan Perjovschi: Time of Monsters
Oana Vasiliu, The New Yorker, January 29, 2018 -
Enemy Kitchen
Michael Rakowitz at Museum of Contemporary Art ChicagoJanuary 16, 2018 -
It’s a Strange Communion’: Artist Michael Rakowitz on Why He Set Up an Iraqi Food Truck Outside the MCA Chicago
Brian Boucher, Artnet, January 15, 2018 -
Abstract art can tell a story - and look good too
James H. Miller, The Art Newspaper, December 6, 2017
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Biennale africaine de photographie : Mounir Fatmi représente le Maroc
Siham Jadraoui, Aujourd'hui Le Maroc, December 4, 2017 -
Using Abstraction as a Political Tool
Monica Uszerowicz, Hyperallergic, November 30, 2017 -
Al via Transition State di mounir fatmi
Fondi&Sicav.it, October 26, 2017 -
Transition State by Mounir Fatmi at Officine dell'Immagine, Milan
Blouin Art Info, October 23, 2017
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Transition State: la personale milanese di Mounir Fatmi
Rossella Lo Faro, Ville Giardini, October 21, 2017 -
Ashley Lyon & Jane Bustin
Meer, October 17, 2017 -
Mounir Fatmi: Survival Signs
Alan Gilbert, The Brooklyn Rail, October 5, 2017 -
Michael Rakowitz aims to connect cultures with art and a food truck
Steve Johnson, Chicago Tribune, October 4, 2017
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mounir fatmi, il paradosso dell'arte o l'arte del paradosso
Irene Biochini, Espoarte, October 1, 2017 -
Michael Rakowitz forges bonds over Baghdad at the MCA
Lee Ann Norman, Chicago Reader, September 28, 2017 -
Sculptor Michael Rakowitz Recreates Looted Artifacts Using Iraqi Food Packaging
Jason Foumberg, Chicago Magazine, September 18, 2017 -
Iraqi food for thought: Michael Rakowitz's Backstroke of the West
Nick Leech, The National, September 15, 2017
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When Cultures Collide: Building Visibility and Unity With Art
Public, September 15, 2017 -
Preppers by Nadav Kander
Garage Magazine, September 1, 2017 -
Lucy Orta talks us through her 2017 Frieze Project
Phaidon, September 1, 2017 -
How to Make Useful Art as a "Proposal for Alternative Living": Nicolas Bourriard Interviews Lucy Orta
Artspace, August 16, 2017
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Museum Previews: September, Michael Rakowitz
Art in America, August 1, 2017 -
Refuge, Revise, Repeat
Naide Botha, DAMN Magazine, July 1, 2017 -
African Art: Morocco's Anti-Colonial 'Moon King' Lives - Inside This Artist's Memory
Alice McCool, Vice Creators Project, June 18, 2017 -
Mounir Fatmi, Dubai, at Lawrie Shabibi
Rahel Aima, Art in America, June 1, 2017
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Art: Moira Jeffrey reports from the Venice Biennal
The Newsroom, The Scotsman, May 19, 2017 -
The Road to the Venice Biennale
Cristina Ruiz, The Art Newspaper, May 19, 2017 -
Fourth Plinth Artist Michael Rakowitz To Serve Up Iraqi-Jewish 'Ghost Feast' in London
Tim Cornwell, The Art Newspaper, May 15, 2017 -
11th Shanghai Biennale
Yuan Fuca, Artnews, May 15, 2017
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The Artist's Sake: Christine Macel's Venice Biennale
Gregory Volk, Art in America, May 15, 2017 -
Must-See Art Guide: New York
Tatiana Berg, Artnet News, May 4, 2017 -
Richard Ibghy & Marilou Lemmens at Jane Lombard Gallery, New York
Blouin Artinfo, May 2, 2017 -
Richard Ibghy & Marilou Lemmens at Jane Lombard Gallery
Jennifer Wolf, Arte Fuse, April 23, 2017
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Art Stars Trek to Nepal for First Kathmandu Trienniale, Promoting Regional Solidarity
Skye Arundhati Thomas, Artnet News, March 27, 2017 -
Mayor of London Reveals Next Two Fourth Plinth Commissions
Nicholas Forrest, Blouin Artinfo, March 22, 2017 -
Fourth Plinth: A Giant Dollop of Cream and a Syrup Can Sculpture Are Latest Trafalgar Square Artworks
Anita Singh, The Telegraph, March 21, 2017 -
Michael Rakowitz and Heather Phillipson Win Upcoming Fourth Plinth Commissions
Caroline Elbaor, Artnet News, March 21, 2017
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The Winners of the Fourth Plinth Commission Have Just Been Announced
Eddy Frankel, TimeOut London, March 21, 2017 -
Commissioned For Trafalgar Square's Fourth Plinth
Artforum, March 21, 2017 -
A Winged Bull and a Whirl of Cream Will Be London's Next Big Public Artworks
Claire Voon, Hyperallergic, March 21, 2017 -
Replica of Statue Destroyed by ISIS and Whipped Cream to Top London's Fourth Plinth
José Da Silva, The Art Newspaper, March 21, 2017
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SARS, Skincare, Real Estate, Rhythm: Lee Kit's Politics of Space
Godfre Leung, Yishu: Journal of Contemporary Chinese Art, March 1, 2017 -
Putting Art on a Pedestal in London
Farah Nayeri, The New York Times, January 19, 2017 -
Why Not Ask Again?': Shanghai Biennale Addresses Contemporary Social Issues, With Spectacle and Grace
Barbara Pollack, Artnews, January 18, 2017 -
Feeder Insider with Dan Perjovschi
Violetta Năvare, Feeder, January 11, 2017
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An Antarctic Art Project, Complete With Fake Passports
Julie Baumgardner, The New York Times Magazine, October 16, 2016 -
Squeak Carnwath
Tatiana Istomina, Art in America, January 6, 2016 -
Review: Squeak Carnwath Speaks with her Varied Palette
Roberta Smith, The New York Times, December 31, 2015 -
Carnwath's Guilt-Free Zone is Our Space
John Yau, Hyperallergic, November 1, 2015
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Squeak Carnwath Solo Exhibition in New York is Hosted by Jane Lombard Gallery
Amy Lin, WideWalls, October 19, 2015 -
A Visit with Squeak Carnwath at the Lux Art Institute
John Seed, The Huffington Post, July 9, 2015 -
Weekend Studio Visit: Squeak Carnwath in Oakland, California
John Yau, Hyperallergic, January 19, 2014 -
The Pleasures and the Perils of Abstraction
Jordana Moore Saggese, IRAAA, June 29, 2013
